Executive Editor: Eric Selinger, DePaul University, USA
Managing Editor for General Issues: Amy Burge, University of Birmingham, UK
Managing Editor for Special Issues and Forums: Suzanne Mpouli, Université de Paris, France
Section Editor: Teaching and Learning: Deborah Longworth, University of Birmingham, UK
Section Editor: Libraries and Information Science: Stacey Lee, Brandon University, Canada
Section Editor: Young Adult Romance: Amanda K. Allen, Eastern Michigan University, USA
Book Review Editor: Angela Toscano, University of Utah, USA
Web Editor: Sarah H. Ficke, Marymount University, USA
Assistant Editor, Early Career Researcher Team: Elham Naeej, The University of New South Wales, Australia
Editorial Board:
Crystal Anderson, Elon University, USA
Asian Popular Culture, including Wuxia, K-pop and Kdrama
Meg John Barker, The Open University, UK
Psychology, psychotherapy, LGBTQ
Mary Bly, Fordham University, USA
Cultural Studies
Marcus Collins, Loughborough University, UK
History and Popular Music
Kathrina Haji Mohd Daud, Brunei University, Brunei
Bruneian Literature, Popular Fiction, Global Islamic Literature
Celestino Deleyto, University of Zaragoza, Spain
Film Studies
Catherine Driscoll, University of Sydney, Australia
Cultural Studies
Lisa Fletcher, University of Tasmania, Australia
English
David William Foster, Arizona State University, USA
Latin American urban culture, emphasis on gender formations and identities
Ken Gelder, University of Melbourne, Australia
Genre studies, popular fiction and popular film, postcolonial studies, Australian literary studies, popular cultural studies, 19th century fiction, post-theory literary studies, subcultural studies
William Gleason, Princeton University, USA
American Literature, Cultural Studies
Michael Gratzke, University of Hull, UK
German and Comparative Literature
Emily Haddad, University of Maine, USA
Literature (particularly east/west relations)
Eva Illouz, Hebrew University, Israel
Sociology
Toni Johnson-Woods, University of Queensland, Australia
Manga, Pulp Fiction, Australian and Global Popular Culture
Betty Kaklamanidou, Aristotle University of Thessaloniki, Greece
Romantic comedy, film, Hollywood, genre: http://www.myfilmcorner.com
Jayashree Kamble, LaGuardia Community College/CUNY, USA
20th and 21st century romance fiction, cultural theory, Hollywood and Hindi-language cinema, American television
Mine Özyurt Kiliç, Social Sciences University of Ankara (ASBU), Turkey
English, Contemporary Women’s Writing, Theories of the Fantastic, Ethical Criticism
Simon May, King’s College London, UK
Philosophy
Julie Moody-Freeman, DePaul University, USA
Caribbean and African American Studies; Feminist Theory; Post Colonial Studies; Popular Romance Studies
Lynn Neal, Wake Forest University, USA
Religious Study
Lynne Pearce, Lancaster University, UK
Theories of romantic love and altered states of consciousness, affective consciousness, temporality and memory
Pamela Regis, McDaniel College, USA
The romance genre, history of the American Romance, Jane Austen
Catherine M. Roach, The University of Alabama, USA
Gender and sexuality, popular culture, romance narratives, creative writing
Martin Stokes, King’s College, London, UK
Music, ethnomusicology, cultural history
John Storey, University of Sunderland, UK
Cultural Studies
Jodie Taylor, Griffith University, Australia
Cultural Sociology, Queer Studies, Musicology
Richard Terdiman, University of California, Santa Cruz, USA
Cultural Theory, Cultural History, European Literature
Hsu-Ming Teo, Macquarie University, Australia
Twentieth-century European history, British imperial culture, Orientalism, travel and tourism, popular literature
Margaret E. Toye, Wilfrid Laurier University, Canada
Contemporary feminist and critical theory; poststructuralist feminist ethics; feminist affect theory; feminist theories of love; gender in relation to issues of embodiment, technology, consumption, food; contemporary feminist fiction; creative forms of argument
Kim Wilkins, University of Queensland, Australia
Medievalism, Historical, Australian popular fiction, genre theory, creative writing
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