Skip to content
- Special Issue: The Popular Culture of Romantic Love in Australia (Editor’s Introduction)
- The Private and Public Life of Nellie Stewart’s Bangle
- “We have to learn to love imperially”: Love in Late Colonial and Federation Australian Romance Novels
- A Masculine Romance: The Sentimental Bloke and Australian Culture in the War- and Early Interwar Years
- Marriage, Romance and Mourning Movement in Cherie Nowlan’s Thank God He Met Lizzie
- After Happy Ever: Tender Extremities and Tangled Selves in Three Australasian Bluebeard Tales
- Teaching an Old Dog New Tricks?: Romance, Ethics and Human-Dog Relationships in a Rural Australian Novel
- Writing the Happy Ever After: An Interview with Anne Gracie
- Editor’s Note: Issue 4.2
- Genre, Author, Text, Reader: Teaching Nora Roberts’s Spellbound
- “I’m a Feminist, But…” Popular Romance in the Women’s Literature Classroom
- Reading the Romance: A Thirtieth Anniversary Roundtable, Editor’s Introduction
- To My Mentor, Jan Radway, With Love
- The Politics of Popular Romance Studies
- Radway Roundtable Remarks
- Studying the Romance Reader, Then and Now: Rereading Janice Radway’s Reading the Romance
- Love’s Laborers Lost: Radway, Romance Writers, and Recuperating Our Past
- From Reading the Romance to Grappling with Genre
- Rattling the Toolkit: Methods for Reading Romance, Gender, and Culture
- We’ve Come a Long Way, Baby: Reflecting Thirty Years after Reading the Romance
- Review: Deconstructing Twilight: Psychological and Feminist Perspectives on the Series, by Donna M. Ashcraft
- Review: Happy Endings in Hollywood Cinema. Cliché, Convention and the Final Couple, by James MacDowell
- Review: Romance: The History of a Genre, edited by Dana Percec
- Review: The Princess Story: Modeling the Feminine in Twentieth-Century American Fiction and Film, by Sarah Rothschild
